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The History of Akbar
Abu'l-Fazl
Harvard University Press, 2014

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The eighth and final volume spans the thirty-ninth to fiftieth years of Akbar’s reign, detailing the conquest of Ahmadnagar, Prince Salim’s rebellion, and the emperor’s final days.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

[more]

logo for Harvard University Press
The History of Akbar
Abu'l-Fazl
Harvard University Press, 2014

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The seventh volume details the twenty-ninth to thirty-eighth years of Akbar’s reign, including accounts of the marriage of his son and heir Salim (Jahangir); conquests of Swat, Orissa, Kashmir, Sind, and the Saurashtra Peninsula; the pacification of Bengal; and the emperor’s visits to Kashmir, the Punjab, and Kabul.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

[more]

logo for Harvard University Press
The History of Akbar
Abu'l-Fazl
Harvard University Press, 2014

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The sixth volume details the twenty-third to twenty-eighth years of Akbar’s reign, including accounts of the quelling of rebellions in Bihar, Bengal, and Kabul, and final victory in Gujarat.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

[more]

logo for Harvard University Press
The History of Akbar
Abu'l-Fazl
Harvard University Press, 2014

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The fifth volume details the bellicose seventeenth to twenty-second years of Akbar’s reign, including accounts of the conquest of Gujarat, the capture of Rohtas fort from rebel Afghans, and the invasions of Patna and Bengal.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

[more]

logo for Harvard University Press
The History of Akbar
Abu'l-Fazl
Harvard University Press, 2014

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The fourth volume narrates the second eight years of Akbar’s reign, including an account of his visit to Ajmer, the arrival of an embassy from the Safavid court, and the beginning of the author’s brother Faizi’s career as court poet.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

[more]

logo for Harvard University Press
The History of Akbar
Abu'l-Fazl
Harvard University Press, 2014

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The third volume details the first eight years of Akbar’s reign, when he consolidated his power, quelled the rebellion of his guardian Bayram Khan, conquered Malwa, and married a Rajput princess.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

[more]

logo for Harvard University Press
The History of Akbar
Abu'l-Fazl
Harvard University Press, 2014

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The second volume details the turbulent reign of his father Humayun, his years in exile, his return to power, and his untimely death that brought Akbar to the throne as a youth.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

[more]

logo for Harvard University Press
The History of Akbar
Abu'l-Fazl
Harvard University Press, 2014

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians throughout the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The first volume details the birth of Akbar, his illustrious genealogy, and in particular the lives and exploits of his grandfather, Babur, and his father, Humayun, who laid the foundations of the Mughal Empire.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

[more]

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Imaging Sound
An Ethnomusicological Study of Music, Art, and Culture in Mughal India
Bonnie C. Wade
University of Chicago Press, 1998
The rulers of the Mughal Empire of India, who reigned from 1526 to 1858, spared no expense as patrons of the arts. They left as their legacy an extraordinarily rich body of commissioned artistic projects, including illustrated manuscripts and paintings that represent music-making in numerous spheres of Mughal court life, particularly that of women. These images form the basis of Bonnie C. Wade's study of how musicians of Hindustan encountered and Indianized music from the Persian cultural sphere.

Combining ethnomusicological and art historical methods with history and lore, Wade focuses first on paintings for Akbar, showing how political and cultural agendas intertwined in the portrayal of his life and that of his grandfather Babur and father, Humayun. Wade then follows the depictions of music-making through paintings for Akbar's successors, Jahangir and Shah Jahan, to trace the gradual synthesis of Persian and Indian culture. Richly illustrated with reproductions of rare Mughal paintings, this work will appeal broadly to anyone interested in Indian history, ethnomusicology, and art history.
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front cover of Mimesis across Empires
Mimesis across Empires
Artworks and Networks in India, 1765-1860
Natasha Eaton
Duke University Press, 2013
In Mimesis Across Empires, Natasha Eaton examines the interactions, attachments, and crossings between the visual cultures of the Mughal and British Empires during the formative period of British imperial rule in India. Eaton explores how the aesthetics of Mughal "vernacular" art and British "realist" art mutually informed one another to create a hybrid visual economy. By tracing the exchange of objects and ideas—between Mughal artists and British collectors, British artists and Indian subjects, and Indian elites and British artists—she shows how Mughal artists influenced British conceptions of their art, their empire, and themselves, even as European art gave Indian painters a new visual vocabulary with which to critique colonial politics and aesthetics. By placing her analysis of visual culture in relation to other cultural encounters—ethnographic, legislative, diplomatic—Eaton uncovers deeper intimacies and hostilities between the colonizer and the colonized, linking artistic mimesis to the larger colonial project in India.
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front cover of Mughal Arcadia
Mughal Arcadia
Persian Literature in an Indian Court
Sunil Sharma
Harvard University Press, 2017

At its height in the sixteenth and seventeenth centuries, the Mughal Empire was one of the largest empires in Eurasia, with territory extending over most of the Indian subcontinent and much of present-day Afghanistan. As part of the Persianate world that spanned from the Bosphorus to the Bay of Bengal, Mughal rulers were legendary connoisseurs of the arts. Their patronage attracted poets, artists, and scholars from all parts of the eastern Islamic world. Persian was the language of the court, and poets from Safavid Iran played a significant role in the cultural life of the nobility. Mughal Arcadia explores the rise and decline of Persian court poetry in India and the invention of an enduring idea—found in poetry, prose, paintings, and architecture—of a literary paradise, a Persian garden located outside Iran, which was perfectly exemplified by the valley of Kashmir.

Poets and artists from Iran moved freely throughout the Mughal empire and encountered a variety of cultures and landscapes that inspired aesthetic experiments which continue to inspire the visual arts, poetry, films, and music in contemporary South Asia. Sunil Sharma takes readers on a dazzling literary journey over a vast geographic terrain and across two centuries, from the accession of the first emperor, Babur, to the throne of Hindustan to the reign of the sixth great Mughal, Aurangzeb, in order to illuminate the life of Persian poetry in India. Along the way, we are offered a rare glimpse into the social and cultural life of the Mughals.

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front cover of Three Ways to Be Alien
Three Ways to Be Alien
Travails and Encounters in the Early Modern World
Sanjay Subrahmanyam
Brandeis University Press, 2011
Sanjay Subrahmanyam’s Three Ways to Be Alien draws on the lives and writings of a trio of marginal and liminal figures cast adrift from their traditional moorings into an unknown world. The subjects include the aggrieved and lost Meale, a “Persian” prince of Bijapur (in central India, no less) held hostage by the Portuguese at Goa; English traveler and global schemer Anthony Sherley, whose writings reveal a surprisingly nimble understanding of realpolitik in the emerging world of the early seventeenth century; and Nicolò Manuzzi, an insightful Venetian chronicler of the Mughal Empire in the later seventeenth century who drifted between jobs with the Mughals and various foreign entrepôts, observing all but remaining the eternal outsider. In telling the fascinating story of floating identities in a changing world, Subrahmanyam also succeeds in injecting humanity into global history and proves that biography still plays an important role in contemporary historiography.
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